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Lighting designer Rob Sinclair. How does that impact you as a designer? Rob Sinclair on designing unforgettable concert lighting There was a moment during Tame Impala’s recent Madison Square Garden show when the entire venue went dark. Rob’s design does a great job reflecting the psychedelic rock music. The founder of performance design studio Sinclair / Wilkinson talks about helping artists fine-tune their living room lighting, not making remote … That show had almost all white light, no gobos and no visible movement of light sources. It’s always worth knowing the constraints, so that you can push them. “Always. Menu. “I always end up loving the music, even if I know nothing at the start. I am the lighting director for this tour. I think we ended up with 16 shades of white or something silly. This is Rob Sinclair’s third album cycle/tour with Marina, so he already had good lines of communication to start off the design process. Meticulous in their detail, intricate in their conceptualization, his designs are products of intensive planning. One of the things I love about touring is that it’s never a complete work. You’ve created some impressive looks with lasers, such as when you used them almost as backlighting for the Pet Shop Boys some years ago. Slam them on an accent. There are actually several designers’ hands in on the making of this project. Looking for a thriller? It is easy to understand why Sinclair would view his work through this prism. By submitting this form you are agreeing to transmit some of your personal information to us via email for the purpose of your enquiry. by Rob Sinclair. They often can’t understand why something is such a big practical problem, which in turn makes that problem go away.”. This one scared the bejesus out of me. As for procrastination, it’s a big problem. View. “I’m not a big fan of downstage blinders. “There’s something really exciting about a silhouette or a shadow. Location. "We needed a huge bank of color behind the band and the JDC1 gave us that, within budget. Are there any artists from the past that you wish you could travel back in time and light? View. It’s also an age-old theatrical technique from before the invention of electricity. “Good question — I think lighting has many roles really, showing what we want to see, hiding what we don’t, exaggerating three dimensions, or flattening three dimensions to two. With Covid-19 lockdowns worldwide and health authorities urging people to self-isolate and practice social distancing on a massive scale as part of an enormous effort to #FlattenTheCurve of this global pandemic … we are reaching out to industry friends, colleagues, associates, partners, etc., and asking them to share their … Yet you still managed to create a variety of different looks. How would you like to be remembered as a lighting designer? London, United Kingdom . “We needed a huge bank of color behind the band and the JDC1 gave us that, within budget. “It was the result of a lot of hard work and an extreme examination of detail, mainly from our wonderful programmer / lighting director Louisa Smurthwaite. The great Renaissance artist would no doubt have appreciated the approach that this London based designer has taken to lighting shows by a stellar collection of clients that includes Florence and the Machine, Kylie Minogue, Bastille, Queen + Adam Lambert, Tame Impala, David Byrne and Goldfrapp. Do you feel concert lighting is becoming more theatrical? Queen + Adam Lambert are on the road with their Rhapsody Tour, with stage design by Ric Lipson of Stufish Entertainment Architects and lighting design by Rob Sinclair.The lighting rig comprises 340 lighting fixtures, including Claypaky Scenius Unicos, GLP impression X4 Washes, GLP JDC1 Strobes, Robe Megapointe Spots, GLP Impression X10 & X20 Bars, … He is a founding partner at the design practice Sinclair / Wilkinson, Winner 2018 and 2009, Nominee 2008, 2012, 2014, 2015, 2016, 2017, 2019Knight of Illumination awardTPI set designer of the year 2017Winner UKMVA 2019, Best concert film, Kylie Minogue in GoldenNominee 2015, 2016, 2017, 2018 TPI AwardsNominee 2014, 2016, 2017, 2018, 2019 Parnelli Awards,Nominee 2018 Top Dog Awards. This is why, he tells us, that one of his favorite things about touring is that “it’s never a complete work.”. Going from a quarter to a half CTB sometimes gave us the shift we needed.”. We have full professional accreditation with the NICEIC. Sometimes the timeless tricks are the best, aren’t they?”. I’m not sure if concert lighting in general is becoming more theatrical, but my work maybe is. Lighting Design by Rob Sinclair; SpecialOriginal. Location. It's a wonderful example of precise and simple ideas taken to their logical conclusion. As we discussed earlier, you do a lot of silhouetting. Kevin Parker and his band were playing an extended version of the guitar riffs of “Elephant” as the stage emitted a subtle violet light to the beat. Given what you just said about silhouetting turning three dimensional figures into two dimensional ones, do you view lighting’s role as altering reality on stage, or accentuating it, and making it clearer? Rob Sinclair the lighting and production designer lives in Hatton Garden and writes in blue ink on a Field Notes notebook. David Byrne, LCD Soundsystem, Kylie Minogue, MØ, Tame Impala, Peter Gabriel, Zara Larsson Vampire Weekend, Bastille, Shania Twain, Lorde, Pet Shop Boys, Florence and the Machine, Queen + Adam Lambert, Game of Thrones live concert tour, Starlight Express, System of a Down, Clean Bandit, Bananarama, Kygo, Bryan Ferry, Miley Cyrus, Jamie T, Hurts, Glass Animals, Adele, Charli XCX, Pulp, Jack Johnson, Jessie Ware, Feist, Galantis, Flume, Zayn, Tame Impala, Banks, Goldfrapp, Marina and the Diamonds, Birdy, Keane, Will Young, Kaiser Chiefs, Pendulum, Bloc Party, The Human League, Mumford and Sons: Gentlemen of the Road, M.I.A, Dreamland, Sting & Peter Gabriel, Rock : Paper : Scissors. The live stream was announced on 19 October 2020, when Minogue took to her socials, posting a clip of her singing "Magic", which was released as the second single from the album; the concert took place on 7 … Cast David Byrne, Gustavo Di Dalva, Daniel Freedman, Tendayi Kuumba. Your Florence and the Machine show also had very intense uplighting and backlighting, which virtually doubled as audience lighting. We tried pixel mapping but ultimately got better effects from programming them as lights. We use cookies to ensure that we give you the best experience on our website. Whichever it is, I’m very happy about it.”. We have […] There’s always a cleverer way.”. What does it add to a show? We tried pixel mapping but ultimately … Wedding contract. Rob Sinclair's production design also included 60 JDC1 hybrid strobes—for a specific reason. Is that something you tend to minimize? Why is that? THE DESIGN: “The main design was done by Rob Sinclair. Project Link. Innovation Dec 21, 2020 Professional lighting that feels like home. Movies. Production Design by Rob Sinclair 2019-20 Operation By Ben Marx 2010-2011, 2013-2014,2019-2020 I’m always slightly paranoid that I procrastinate far worse than anyone else. I always get slightly freaked out by film shoots where the record is locked and no detail can be changed.”. Rob Sinclair the lighting and production designer lives in Hatton Garden and writes in blue ink on a Field Notes notebook. Photos courtesy Carol Pereira Lighting for the three Brazilian dates in Rio de Janeiro, Sao Paulo and Porto Alegre was supplied by Rob Sinclair. It’s a way of selectively showing someone, of amplifying motion, and of making a two-dimensional image from a three-dimensional object. I'm extremely proud of the David Byrne: American Utopia show. Portfolio of Lighting & video Designer Neil Holloway, Portofilo and Gallery of work we do, Lighting and Video Designer/ Director / Operator Yet, when focused on from a different angle, there is often something their creator can discover that has been left undone — perhaps a new and an unexpected insight to be seized and acted upon to bring his vision ever so slightly closer to fruition. Chile and Brazil, featuring a suitably impressive lightshow created by UK based designer Rob Sinclair, who has brought his magic visual touch to the QAL project since 2012. Winner in Stage Lighting . To Rob Sinclair for his amazing lighting design, the whole team at Treatment Studio, Paddy Hocken Production Management and so many other people. 1.9K likes. He started sweeping floors at Vari-Lite and gradually worked his way up fixing lights in the shop, then fixing them on the road, operating other people’s lighting design, then designing his own. ” Matt Arthur, lighting director for System of a Down’s current European tour, and festival appearances asked Jack Moorhouse, Jands product manager from A.C. Entertainment Technologies. Generally speaking, what are your thoughts on using conventional audience lighting flown from downstage positions? How did you do that? The trick, which I get wrong more often than right, is to know how to do things and deploy the technique at exactly the right time. Rob Sinclair . search. The Infinite Disco is a two-off promotional live stream concert by Australian singer-songwriter Kylie Minogue, held in support of her fifteenth studio album Disco (2020). Early in your career, you lit the Hollies, a legendary band. Read full article More: Sustainability. I was forced to pull my socks up a lot. They talked about an adult pop show, with dancers, no musicians and projection as the main lighting. ... not to mention the hours spent waiting for the lighting, gesture or composition required to create an image that is extraordinary. Is there such a thing as laser fatigue? Sinclair Electrical NW Limited is a family run business established in 2010 based in Lowton, Warrington . Florence + the Machine’s “infectious enthusiasm” at Glastonbury 2015 was enhanced by an elegant stage set with powerful, tasty lighting by Lighting Designer Rob Sinclair. FIND OUT WHERE. The great Renaissance artist would no doubt have appreciated the approach that this London based designer has taken to lighting shows by a stellar collection of clients that includes Florence and the Machine, Kylie Minogue, Bastille, Queen + Adam Lambert, Tame Impala, David Byrne and Goldfrapp. “I’d like to be remembered for doing good work and not resting on my laurels.”, Maverick MK2 Spot/Profile and MK1 Spot/Hybrid (2) Road Case, Maverick MK2 Wash and MK Pyxis (4) Road Case. American Utopia (Oct 20, 2019 - Feb 16, 2020) Lighting Design by Rob Sinclair; SpecialOriginal. Welcome to the official website of Rob Sinclair, author of the internationally bestselling Enemy series and James Ryker series of espionage thrillers. The big line of backlight on the floor is one of mine. They act as a barrier between stage and audience. Do you ever procrastinate at the start of a project? How do you get inspired? Sound designer Pete Keppler. Rob Sinclair. If you continue to use this site we will assume that you are happy with it. Rob Sinclair | Full service architecture and design firm specializing in site-specific architecture and interiors for discerning clients coast to coast. I kind of don’t know where it comes from really. It wasn’t fun at the time, but I’m grateful for the experience now.”. “Always. You also do a lot of backlighting and spot lighting of artists. Having a performer as part of the creative team brings such different energy. About Me; Welcome to my site. I was a mobile DJ when I left school, and I got more into the lighting end of that and did a course in … Lighting Designer, Media Programmer . Rob Sinclair, as told to Dave Simpson. “Art is never finished,” wrote Leonardo da Vinci. Silhouettes have played a prominent role in many of your designs for a range of artists like Bastille on the Doom Days tour. The founder of performance design studio Sinclair / Wilkinson talks about helping artists fine-tune their living room lighting, not making remote audiences jealous, and why Fortnite still falls short. He is a founding partner at the design practice Sinclair / Wilkinson Winner 2018 and 2009, Our job is to make our clients look like heroes. With their unique lighting positions, nuanced use of silhouettes and shadows, and uncanny ability to wrap themselves around the physical presence of the artist on stage, his designs naturally lend themselves to new explorations. Thank you of course to Queen and Adam Lambert for trusting us to continue to make these wonderful shows over the years. Stage manager Gregory T Livoti. I hope you are enjoying the images. Creativity begets creativity as surely as inspiration inspires inspiration. To complement Florence’s dramatic and eccentric music (how many rock bands have a harp and vibes? The lighting design for Tame Impala's Coachella set was a contemporary update of a 60's psychedelic light show. Speaking of clients, do you have to like one’s music to do a good job lighting it? So, does the shape or size of a client’s body ever influence the decisions you make regarding design? Having such a limited palette to work from on that tour made us really concentrate on making cues with small increments. “I’d love to see how things developed as the electric light was invented. Rob Sinclair on how livestreaming is changing concert design frameweb.com - Peter Maxwell. When you begin the design process what are the first elements you focus on? Do you ever dream about lighting designs? It seems like performers in general are more attuned to visuals today. “I still love lasers and we’ve done some great things with them this year, notably with Queen + Adam Lambert and the absolute assault that was Tame Impala’s Coachella show. “I think my 18 months as operator on Lord of the Dance in the ’90s. Jun 15, 2017 - Peter Gabriel - Lighting design by Rob Sinclair Victorian theatre seems like a real time of excitement and fast change.”. We’re trying to make an environment for them to play their music in, and it helps so much if they want to work on that with us. Your designs seem to focus less on pan and tilt moving fixtures and more on creating compelling scenes on stage. You collaborated closely with Kylie Minogue on the concept for the set for her recent Golden Tour. Rob St. Clair. Coachella Festival . Heights Baptist Video Becomes More Immersive With Light From Rogue R2 Wash. As a designer, how do you know when you have a good fit with a client? I invest so much time and effort in the artist’s success, and I really have to believe in what I’m doing.”. We will never use this information for marketing unless you have otherwise opted in and will never rent or sell this data to any other company or business. Inspired in self-isolation: Rob Sinclair . Timing really is everything.”. Your 2015 Florence and the Machine US tour was pretty unique. Based in London, with over 10 years of experience from small clubs to arena level touring, corporate shows to one off festivals we have a global network of crew and suppliers to make your production happen whatever the size. But they seem to be less prevalent in your more recent work. “Budget, logistics and dull things. Not just another production company, Production Value aims to deliver 100% to each project. You also work closely with longtime clients like Peter Gabriel. Lighting Designer. Speaking to us from his London studio, the 2009 and 2018 Knight of Illumination Award winner shared his insights into the never-ending and expansive process of lighting design. “Over time I think you develop things that work. However, lasers can easily outstay their welcome, so it’s important to structure their arrival and departure carefully so they are not the arc of the show.”, Do you ever change a design once a tour starts? Kylie Minogue, The Infinite Disco, 2020 The show asks the question of what happens when the stage is empty? “I think it’s accurate to say that I try not to rely on movement too much, and increasingly, I like to concentrate light on stage rather than in the audience. Is there one project in your career that stands out (good or bad) as the biggest learning experience? ... (Video documentary) (lighting designer) 2011 Peter Gabriel: New Blood/Live in London (Video) (lighting designer) 2007 Keane Live (Video) (lighting design) Hide Show Additional Crew (2 credits) 2017 The Fitzroy (funding producer) Outdoor lighting with smart controls fitted in Leigh. They also seem like an easy cue. Categories. Categories. Attention to detail within lighting and composition is what shapes his filmmaking style, truly cinematic and elegant. Some go to moves, you can call them. Bio: Rob Sinclair and Louisa Smurthwaite Sinclair trained as an electrician. Can you share some of your thoughts on silhouetting? are credited together. LED Lighting can accelerate the pace of building renovation and help Europe to be carbon neutral by 2050. Rob Sinclair is the bestselling author of The Enemy Series, James Ryker Series, Dark Fragments and the globetrotting Sleeper 13. “Striking, stylish and slightly strange” are the words that lighting designer, Rob Sinclair, used to describe his eerie lighting design for musical duo Goldfrapp’s latest tour. “You kind of work it out as the process starts. are credited together. Rob Sinclair’s production design also included 60 JDC1 hybrid strobes—for a specific reason. Button. You often seem to place intense light sources on or close to the deck. “Inspiration is the strangest thing. About us. Project Link. If we don’t make them look good then we’re not doing the job right.”. An incredible wedding filmmaker Rob takes huge pride in his work and will always bring creative ideas to the table. Back to Top. Like any other human interaction, sometimes it feels great and at other times it’s a little mushy.”. ROB SINCLAIR: I never thought I'd become obsolete. The programing was done by Van Bridges, Louisa Smurthwaite and myself. Rob Sinclair . Designed + installed by Sinclair Electrical NW Limited . Rob Sinclair: The Fitzroy. Search where Rob Sinclair and . Rob Sinclair, lighting and production designer. It changes a bit, but it’s often there in my designs.”. “Everything becomes so much easier if the artist is engaged in their show. Winner in Stage Lighting . 2010 based in Lowton, Warrington which in turn makes that problem go away. ” but they to... Complement Florence ’ s a big fan of downstage blinders creative rob sinclair lighting brings such different.. Kind of don ’ t fun at the start Sinclair is the author... You have to like one ’ s production design also included 60 JDC1 hybrid strobes—for a specific reason on compelling! Accelerate the pace of building renovation and help Europe to be remembered as designer., which virtually doubled as audience lighting flown from downstage positions t understand why Sinclair would his! 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